This Sunday, two individuals tragically lost their lives in a senseless attack. And yesterday, a well-known Japanese journalist tried to connect the stabbings to otaku (geek) culture. Well, that didnāt take long.
On TV Asahiās Super J Channel, freelance journalist Akihiro Otani said, āThe location where the stabbing happened is close to a known otaku district, Nipponbashi.ā (Nipponbashi, which is known as Den-Den Town, is the Osaka equivalent of Tokyoās Akihabara.)
Continuing, Otani added, āItās necessary to investigate to see if there isnāt a connection to otaku culture.ā
This is not a throwaway remark. Itās another example of Otaniās feeble attempts to draw connections between otaku culture and crimeāsomething heās been trying to do for years.
Back in 2004, Otani tried to connect a grisly crime to otaku figurine collecting on the rationale that collecting plastic figurines was like collecting corpsesāor something. The killer, who was not an otaku, murdered a young girl, and Otani incorrectly labeled him a figure collecting otaku. While Otani said he wasnāt blaming otaku, he did say all otaku could be potential criminals because they lost themselves in anime and video games. (Keep in mind, Otani has authored several manga!)
Online in Japan, people took to Twitter, voicing their disapproval of Otani and the latest garbage he spewed and pointing out that Kyozo Isohi, the attacker, was already proven to be a former biker gang member and not an otaku. That isnāt saying all bikers are bad (they are not!), but what does otaku subculture have to do with anything?
Drug addiction, money problems, a criminal record, and a deeply troubled individual are in play here, not the Japanese nerd culture sold in nearby Nipponbashi.
To add insult to injury, one of the deceased, Shingo Minamino, worked for a game company. He worked on otaku music. His company churns outs entertainment tailored specifically for otaku. Yet, this is also unrelated to the attack. It is related to Minaminoās life and work. Otaniās attempt to connect the attackerās motive and otaku subculture isnāt only misguided, but itās an affront to the work and memory of Shingo Minamino.
大谷ęå®ę°ć®ć³ć”ć³ćć«ćč¦č“č ć®ē°č«å“åŗ [Livedoor]