Set adrift like a modern day Swiss Family Robinson, Jason and Nicole Stark left the Australian games industry on a mission together. They took their four children, they packed their bags and set sail to Noosa, Queensland. They gave themselves one single year to create a successful iOS game. This is their story: the story of a family and the video game they built together.
Sunlight filters through the window, but the classroom is grey. A girl dangles her legs idly beneath the desk. She doodles on her jotter; she dreams of black and white photographs. She waits for class to begin.
In the corner of her eye she sees a boy; a stride tempered with gawky teenage apprehension. Soon heâs standing by her desk. What does he want, this strange boy? Why does he look so sheepish? Why is he taking so long to speak?
Finally a sentence.
âDo you like fried bananas?â he asks.
Sorry. What?
âDo you like fried bananas?â he repeats.
And that was the very first time Nicole met her future husband, Jason. In high school. Minutes before Physics. Being asked if she liked fried bananas. Which she doesnât.
âIâd actually made a bet with another girl I knew that this pick-up line wouldnât work,â remembers Jason.
âBut I lost the bet, because the line worked with a vengeance!â
One marriage, four children and over 20 years later, Nicole and Jason Stark are still together â and in love â but now they find themselves in a strange room, in a new town, having both left their jobs in the Australian Games Industry, moving their entire family to Noosa. Theyâve given themselves one single year to make a successful iOS game.
Together, in this pokey room, in a little rental buried in the Brisbane wilderness, all Jason and Nicole Stark have is their video game. And each other.
Getting The Hell Out Of Dodge
âIt hasnât been easy,â says Nicole.
Jason and Nicoleâs story began one year ago under familiar circumstances: redundancy and the collapse of the Australian Games Industry.
âIt sounds very brave and noble to say we left the Australian Games Industry,â says Jason. âBut really the Australian Games Industry left us.
âIt left a lot of people.â
The year is 2010. Krome is in the midst of a high-profile closure; Jason Stark works there as an art director. He is one of the âlucky onesâ â among the numbers recruited by KMM to help make Happy Feet 2, a video game based on the movie being rushed to completion by frantic hands at Dr D Studios in Sydney. It was a Band-Aid fix for a long-term problem, and Jason knew it.
âAbout 18 months ago, it all started going bad,â he says. âKrome closed, but my team survived for a little bit longer â we were bought by Kennedy Miller Mitchell. We survived for a while and finished Happy Feet 2, but then we were shut down.â
For Jason, it was hardly unexpected.
âThe details of that final day, well, it would have been great if there was some cinematic moment, but it was really a succession of events,â remembers Jason. âKMM shutting us down gradually became more and more likely. The final announcement was really anti-climatic. At that stage most of us already had plans.â
Jasonâs plan involved dragging his wife and four children the hell outta dodge.
Children And Bears
âAt that point,â says Jason, âit was either pack our bags for Canada or go it alone. But the idea of our children growing up with Canadian accents? Well, that was enough to make the decision for us.â
âIâm pretty sure a bear would have eaten one of them,â adds Nicole.
âYeah,â continues Jason, âour children are very scared of bears.â
The Stark family decided to go it alone. They had a game idea. They wanted to create a family studio in order to build that game.
Avoiding bears and reducing costs were the top priorities and the reasons behind Jason and Nicole deciding to move themselves away from the development hub of Brisbane to the remote town of Noosa.
âThe first decision was to find a really cheap place to live,â says Jason. âThe choice was either live in a terrible, terrible suburb of Brisbane, or move to Noosa, which is, coincidentally, a really nice place to live. So we packed our bags and moved here.
âThe kids love it here, because they can live next to the beach. That was part of the rationale. We wanted a place where we could entertain our children for free!â
The children. The Stark children are an important part of this story. Jason and Nicole have four in total â all girls. Alia is 19, Raven 15, Yukari is six, and Violet is the youngest at three. The kids are part of the reason why Nicole left Krome Studios five years before Jason did â Jason was made redundant, but Nicole left her animation job of her own volition, on her own terms. Baby terms.
âShe got tired of making games,â claims Jason, âso she decided to make people instead.â
But pretty soon the people Nicole and Jason made wanted to help mum and dad make video games.
âThe game we are currently making was not our idea!â laments Jason. âIt was all Alia.
âOur original idea was a very gamey game. It was an RPG, with sci-fi and film noir elements. Whenever I told my family or friends about it their eyes would glaze over. Theyâd nod.
âThen my daughter â who is lovely, but also evil â sheâs doing Psychology and she came home with this awesome little plan. She said, âthis is how the government should fix the obesity crisis. They should let evolution do the work and just unleash tigers on the streetsâ.
âI told my brother in law about it. He laughed and said, âIâd play that video game.'â
So it was settled. The family Starkâs first game would be an iOS game about tigers eating fat people. That game would be called Run Fatty Run.
The House Of Stark
âIt took us three weeks to set everything up,â claims Nicole.
âYeah,â repeats Jason. âThree weeks.â
Three weeks to find an apartment. Three weeks to uproot possessions, furniture and six different lives from Brisbane to Noosa.
âWe had chronic vertigo for the first three months,â says Jason. âWe just couldnât believe it. We couldnât believe that our situation had changed so quickly.â
Until this point, Run Fatty Run was just been a hobby project for Jason and Nicole, something to tinker with in the few spare moments parents with four children can grab. Now, for the first time ever, their pet project was a full-time job.
âIt was definitely an adjustment,â laughs Nicole.
âWe havenât been more than a foot away from each other for pretty much the last six months.â
Every morning Nicole wakes up, takes three-year-old Yukari to school and Violet to Kindy, before heading back home, where she and Jason sit back to back for a full working day and beyond, working on Run Fatty Run.
âWe set up our day-to-day life exactly as if we had a job,â says Jason. âWe set the kids off to school and then we sit down at our desks very, very close to each other! I canât actually stretch back without clocking Nicole on the head!â
And, of course, they bicker. Like an old married couple.
âThe biggest argument? Thereâs been so many,â says Nicole.
âShe keeps asking me redo things,â laughs Jason. âNothingâs ever good enough!â
âYou just see each other a lot more,â adds Nicole.
âYou see each other a lot more and you have to be firm and honest,â continues Jason. âYou canât tip toe around each otherâs efforts. If somethingâs not working you have to treat each other like an employee. You have to tell each other when stuff sucks!â
âAnd that always goes down well,â laughs Nicole.
The biggest problem, particularly for Jason, is separating work life from home life; understandable considering how intertwined the two have become.
âActually thatâs the hardest thing,â admits Jason. âThe computers are just there. I was driving you crazy, wasnât I?â
âYou have to make time in your life for not talking about work,â says Nicole, finally.
She Didnât Do Anything!
Yukari is six years old. Her wavy auburn hair dangles over the iPad. She brushes it from her face and plays intently. She begins to shout. Sheâs spotted a few problems and she wants her daddy to fix them.
âYukari, just today â she wasnât intending to playtest the game, I didnât tell her to at least â but she sat down and played through the entire game, oscillating between laughing wildly and screaming at me to make it easier,â says Jason.
âAnd yeah, she found some usability issues. And then she was really excited because she insisted on being in the credits.â
Itâs par for the course in the Stark household, a household where building video games is a family project.
âRaven in particular is really interested in it,â says Nicole proudly.
âYeah,â confirms Jason. âThatâs definitely thatâs what she wants to do.â
Raven is 15 years old. She wants to become a video game artist.
âRavenâs done a lot of the artwork for the gameâs cutscenes,â says Jason. Sheâs doing really well. Itâs not surprising that sheâs going to be an artist.â
Even three-year-old Violet will be in the gameâs credits, alongside her older sister. Much to the dismay of Yukari.
âI suggested to Yukari that Violet, our youngest should be in the credits under special thanks,â says Jason, smiling. âYukari just said, âWhy? She didnât do anything!'â
Swiss Family Stark
The Starks are something of a modern Swiss Family Robinson, cast ashore in Noosa, building video games instead of tree houses, hunting for bugs instead of foraging for food. Everything they do, they do together.
âIf you can do anything as a family, I think thatâs awesome,â says Jason. âIf you can build houses as a family or operate a shop as a family, thatâs great. I grew up in a large family myself, and they bought a lot of food businesses. Itâs always been typical of the whole family to pitch in and help out. Your family was like that too, Nicole, wasnât it?â
âI actually swore that my family wouldnât be like that!â laughs Nicole. âBecause my parents owned a furniture shop and as kids we always had to help out and stuff.â
âWe just picked a really cool thing to do,â says Jason. âAnd then forced the kids to help us!â
Sans any certification issues from Apple, Run Fatty Run will be released on the iTunes App Store next week. A video game conceived by a daughter, designed by a husband and wife, featuring art from a high school student, play-tested by a six-year-old.
Jasonâs expectations are modest.
âIâd like to earn a lot of money,â says Jason. âIf weâre talking pie-in-the-sky dreams, Iâd like to mirror the success of Ski Safari, and Iâd like to use that money to build a little studio â so we can get out of our house, into an office, start a little team and help rebuild the local games industry.â
âBut you know, weâll be happy if we just have enough to make another game,â says Nicole. âEnough money to avoid getting a real job.â
âWe just need to make enough money so we can afford the divorce!â
Run Fatty Run will be out for iOS later next week. You can find out more information about the game here
Mark Serrels is the EIC for Kotaku Australia. You can follow him on Twitter!
Republished from Kotaku Australia