Coming off of their recent movie release, THE IDOLM@STER girls are back with a new game that looks like itâs learned from past mistakes.
The latest addition to Bandai Namcoâs ever popular IDOLM@STER franchise, THE IDOLM@STER ONE FOR ALL came out on the PS3 last week and so I decided to see what it had to offer. As always, the game places the player as a new producer at the 765 Production agency where they must lead the agencyâs 13 young girls to be super idols.
For the most part, the game retains its atmosphere from the previous IDOLM@STER 2. The color scheme, user interface, sound effects, are all the same. I wouldnât be surprised if even the character models were being reused. Thatâs not necessarily a complete negative against the game, since what they already had worked. Besides, this isnât a numbered title.
https://lastchance.cc/mastering-the-art-of-young-popstars-in-skimpy-costumes-5909464%3C/a%3E%3C/p%3E
Itâs in the details where you can tell the developers have worked to make the game fuller. Characters will greet you when you come in in the morning or run around in the background when youâre at your desk, giving the agency a sense of activity and life and making the game more immersive.
System-wise the game has much more freedom than its predecessors. Thereâs no longer a one year time limit to the campaign. You can essentially cycle through the year infinitely, which takes the pressure of a time-limit off of your shoulders. As the game progresses, you can also produce for more than one idol and eventually all 13, which removes the character restrictions.
It seems that Bandai Namco took a hint from the initial negative feedback from THE IDOLM@STER 2 when they made 4 of the girls inaccessible to the player and making them rivals in the campaign mode, and instead have made everyone accessible with a new separate character to serve as the titular rival. Youâre free to switch which idol is the team leader and focus on producing for different girls if you like, so thereâs no having to restart the game if you feel you want to focus on someone else at any point.
There are hurdles and seasonal objectives as well as the arbitrary main objective of making all the girls under your care rank A idols, but if youâve played and cleared IDOLM@STER 2, it shouldnât be too hard. Itâs not exactly a cake walk, but you probably wonât be throwing the controller across the room either. In fact, youâd have to actively sabotage your own game not to do at least decently well.
As for the stage performances, the standard rhythm game remains the same. This is another part where the developers have opted not to fix what isnât broken and just focus on what didnât before.
If I was to point out a negative, system-wise Iâd say the game is a little too easy. But then again, itâs not trying to be hard. Itâs trying to be fun. Itâs a game for fans, and in that it succeeds.
Perhaps the biggest negative of the game is the fact that by creating a new game, it gives Bandai Namco license to rev up the DLC machine and offer ridiculous amounts of pricey downloadable content as they tend to do. I guess the spirit of generosity only goes so far.
https://lastchance.cc/when-dlc-runs-amok-and-loses-control-5909469%3C/a%3E%3C/p%3E
THE IDOLM@STER ONE FOR ALL is currently out in Japan for the PlayStation 3. No word on an international release.
Kotaku East is your slice of Asian internet culture, bringing you the latest talking points from Japan, Korea, China and beyond. Tune in every morning from 4am to 8am.
To contact the author of this post, write to cogitoergonihilATgmail.com or find him on Twitter @tnakamura8
