The Witch and the Hundred Knight Is Fun, yet Flawed

When it comes down to it, the amount of joy you’ll get out of this game is directly proportional to how much you enjoy grinding—be that grinding for loot or grinding for experience points. In a lot of ways, The Witch and the Hundred Knight is very much your average loot-centric dungeon crawler. You go into a level, mass murder some monsters, and gather the treasure they leave behind. But this is just the start. There are strong versions of normal monsters that randomly spawn in each map—that of course have better drops—and chests with excellent equipment hidden in every nook and cranny.

Also, each time you visit (or revisit) a stage, you get a randomly generated bonus list that rewards you with weapons and items for each exp threshold you pass. The weapons in the game often have different stats—even if they share the same name—and have a different preferred slot in your weapon combo (which boosts your rewards bonus).

That is not to say that you have to grind to win, nor is it to say that there isn’t a sizable story in The Witch and the Hundred Knight to keep you interested. But to really get the most out of this game, you’ll need to do some grinding and enjoy doing it.

Bad – Ugly Level Design

The vast majority of the time The Witch and the Hundred Knight is a somewhat ugly game—especially in terms of the color palette. There are lots of bland yellows, greens, and oranges in the general art style; and the forests and swamps you encounter tend to be made of nothing but those three colors. Even when the colors are different, like inside a hot-pink, heart-themed castle, they still seem washed out.

Bad – Hard to See What’s Going On

But the worst part of the game’s level design is how hard it is to see what’s going on—be that in or out of battle. When fighting, numerous things are going on which only serve to block your view of the action. To start with, around your character is a circle that empties as you attack, block, or run. Then, each of your attacks and your enemies’ attacks gets a little popup showing the name of the attack each time it is used.

Then, on top of the circle and the attack labels are actual weapon and damage effects which range from explosions to spattering blood. And if that wasn’t bad enough, both in and out of battle, the trees and interior architecture also conspire to block your view of the battlefield—forcing you to constantly wrestle with the camera.

All of this combined makes it practically impossible to dodge or block as you can’t tell which monster is doing which action at any given moment.

Even in the in-game conversation scenes, it is hard to see what is going on. The characters are viewed from so far away you can’t hope to see any facial expressions and, thanks to the top down camera angle, the main character Metallica is completely obscured by her massive witch’s hat.

Final Thoughts

When it comes down to it, The Witch and the Hundred Knight is supported by a fun, customizable gameplay system and an enjoyable little story. And while the game’s problems are largely cosmetic, they do negatively affect the gameplay.

Still, if you really like dungeon crawling and/or classic top-down hack n’ slash games, you will likely be able to overlook the game’s flaws. If not, you may find The Witch and the Hundred Knight equal parts frustrating and boring.

The Witch and the Hundred Knight was released in Japan on July 25, 2013, for the PlayStation 3. While it is scheduled for a Western release, no official date has been set.

Kotaku East is your slice of Asian internet culture, bringing you the latest talking points from Japan, Korea, China and beyond. Tune in every morning from 4am to 8am.