New Coke lives on only as a joke. But, imagine if you will, a reality where that reworking of the ubiquitous soft drink was actually good. You wonât have to think that hard about such a plane of existence. All you have to do is swap New Dante for New Coke and, bam, there you are in a world where everything can be different. Yes, the re-imagined Dante and the game he stars inâa revamp of Capcomâs popular Devil May Cry action seriesâis excellent.
When the new take on Dante first appeared, fans of the older games grumbled loudly about how this take ruined everything. But, those players who grew up on a diet of stylish action against demonic hordes should be pleased by gameplay changes made by Ninja Theory. And though this is a crasser, more grounded version of the lead character, the tweaks to Danteâs affect make him more well-rounded and sympathetic.
As far as the button-pressing goes, the pillars of the formula are still here. You wield firearms and bladed weapons in a rapid dance of carnage against hellish forces. The various attacks at your disposal lets you create unique combos that you get points for. Style is still paramount.
Devil May Cry has always been about panache. The original set of gamesâproduced exclusively in Japanâfocused on a particular strain of otaku cool. There was flair, yes, but more than a little cheese as well. Old-school Dante looked like a refugee from a 1980s hair-metal band and his wisecracking dialogue was as clunky as it was memorable.
WHY: DmC re-imagines Capcomâs storied occult rock action franchise with an angry-youth update that brings tons of fresh energy to action fans.
DmC
Developer: Ninja Theory and Capcom
Platforms: PC, PS3, Xbox 360 (version played)
Released: January 15th
Type of game: Action/adventure game with occult heavy metal overtones shot through with âWe are the 99%â iconography.
What I played: Played through 18 of 20 missions over 17.5 hours.
Two Things I Loved
DmCâs sense of flow is divine. Whether swinging through the environment and switching grapple types as you go or changing up your attacks one, two three times in an eyeblink, you feel caught in a constant stream of challenge and reward.
The gritty art design and great enemy types do a great job of world-building that makes this reboot feel very fleshed out.
My Two Things I Hated
Thereâs a lot of foul language in DmC and it occasionally feels like the creators themselves are desperately trying to be thought of as outlaws.
Some of the boss fights drag on too long.
Made-to-Order-Back-of-Box-Quotes
â See, Resident Evil 6 devs, this is how you update a formula.â âEvan Narcisse, Kotaku.com
âThe Dante is dead. Long live the Dante.â âEvan Narcisse, Kotaku.com
Differences to Dante go deeper down than just his look. This new guy is still the son of a demon, who slowly discovers his heritage. But heâs been created more in the snot-nosed rebel mode. He starts off as a sort of gutter punk, boozing, sexing and demon-killing on the margins of society. Then he falls in with The Order, a bunch of radical activists clearly modeled after anarcho-liberal movements like Occupy Wall Street, Wikileaks or Anonymous. The Order fights against the 1%, only in this narrative the elite are demons who have been secretly brainwashing and enslaving mankind to control the world. Dante, after joining up with the Order, gets pegged as a terrorist by a necromantic newscaster at a fake Fox News analogue.
One could make arguments that using extreme left political groups as a template for heroism in this game is either a stroke of genius or extreme trivialization. But, I found the fact that this subtext dovetails so well with the seriesâ mythology to be appealingly clever. Secret oppression, crushing debt, paranoia that turns out to be justified⊠all are elements that will definitely ring true to the people playing this game in 2013.
Still, all of these grasps at edginess sometimes feel adolescentâwith strippers, f**ktons of cussing, political activism a la Wikileaksâbut itâs always been play experience thatâs been paramount in DMC games. And the play in this new title is finely tuned and very rewarding.
Most of the handful of weapons that Dante will wield have either demonic or angelic heritages. This duality gets seeded all throughout the game, adding an element of signal-decoding to the fighting and locomotion in DmC. Certain grapple points only work with an angelic or demonic weapon and specific enemies will only take damage from heavenly or hellish attacks. For example, if a Hell Knight superheats the ground beneath you, equip a demon weapon to avoid taking damage.
Switching between angelic and demonic modifiers creates a great combat flow that extends into the traversal, making the whole affair feel incredibly unified. When youâre in the groove, dozens of âlookit what I just didâ moments seem to spill out of the game every 30 seconds. A burly launch attack blends into a devastating juggle followed by canny ranged attacks and a deft dodge to set up another cycle of whoop-ass. Pull yourself up to a flying enemy to escape chaos on the ground and blast your pistols at the fools who canât fly. You can mix it up in a variety of ways and they all feel good.
As you journey through the gameâs levels, youâll find and use keys to open up secret missions, which are usually combat or traversal challenges. Aside from giving you the chance to earn health upgrades, these secret areasâlike their predecessors in the old-school DMC gamesâboil down the attractions of the franchise to their purest form. Thereâs no emo/buttrock cheesiness here, no political commentary aspirations. Itâs just wave after wave of fast-twitch reflex symphony, with you trying to make the combat look as cool as demonically possible.
Dozens of upgradeable skills let you build a Dante that feels suited to your playstyle. Like to dodge and stay close for counter-attacks? Pick up Demon Evade for a attack boost after making bad guys miss. Like to dodge and create distance between you and the attackers? Thereâs also Angel Evade, which gives you more space and a window of invulnerability. Itâs the same thing for other defensive moves, ranged attacks and melee slashes. The better you rank in the gameâs missions, the more upgrades you get. You wind up feeling like you control your own fortunes as a result.
In DmC, advertising deadens your mind. Soda is poison. Debt is the ultimate weapon. The parallel reality of Limbo makes for a neat if heavy-handed conceit regarding the disparity of social justice in the world. Fittingly, things that happen there affect events in the real world. Limboâs visual treatmentâa broken, sometimes upside-down version of what we see everyday, filtered through a miasmic hazeâis one of the best things about the game, letting Ninja Theory invoke realism without having to stay beholden to it.
One of DmCâs core premises is that Limbo is only a shift of perceptions away. The main characters here were told that they were crazy when they divulged that they saw demons but it turns out they werenât. Itâs that kind of plot beat that exemplifies the counter-culture vibe that the game is going for. Dante says at one point, âI just knew in my heart I wasnât crazy.â You also have to wonder if that moment is Ninja Theory commenting on how their own in-progress work was being received by a subset of fans. As corny or hamfisted as the game feels at times, it can still feel like thereâs real emotion throbbing beneath the surface, a sensation that was lacking in the previous iteration of DMC
Itâd be easy to reduce the game to They Live with liberal social commentary with its demonic robber baron villains. This game updates the elements of the Devil May formulaâcombat flow, maximizing a moveset in a personalized way and slashing around biblically influenced loreâto make it feel like it belongs in the present day. Is it more grounded and serious? Yeah. This new Dante looks like someone youâd walk past in the street. But the surprise is how much that switch works. Ninja Theoryâs still mining a vein of self-conscious character creation but the winking is far more knowing than it was in the previous DMC games. However, the play is so good that it makes you reconsider the entirety of the work being done. The new Devil May Cry isnât from the netherworld after all. Fact is, for action fans, itâs a slice of heaven.
