Duke Nukem Forever begins in a casino bearing the Dukeâs name. While slowly making your way through this marble-clad tribute to a hero of decades past (I hesitate to use the word âfightingâ), youâll pause to sign autographs. Youâll get a blowjob. Youâll control a remote control car. Twice. Youâll complete a âpuzzleâ, youâll do some platforming, youâll talk to some people and youâll even shoot some pigs.
All in the space of an hour or two. All in the one area. And this game quickly moves beyond it to greener pastures, such as the streets of Las Vegas, enemy sex hives, deserted mining towns and the Hoover Dam.
When was the last time you ever played something so ambitious? So full of ideas, such a dedication to pack a first-person shooter with as much peripheral crap as could possibly fit inside a genre in which you normally only do one, maybe two of those things?
Never, thatâs when. And thereâs a very good reason why.
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First announced in 1997, Duke Nukem Forever was mostly developed by 3D Realms, the franchiseâs creators, and was originally destined to be released in 1998. That never happened. For the next decade the game was stuck in development hell, its indecisive director George Broussard blamed for endlessly making alterations to the title, which included a number of engine changes and complete content overhauls.
Finally, in 2009, the plug was pulled, and the game seemed destined for the dustbin of history. Which is probably where it deserved to stay. It has, however, been rescued by Take-Two and Gearbox Software, who have polished up the âgameâ, given it a marketing campaign and done the unthinkable, putting Duke Nukem Forever in the hands of paying customers.
Ah, there I go again. Using âgameâ. Hereâs why: Duke Nukem Forever is little more than a collection of concepts, demonstrations, half-finished levels and half-formed ideas bolted together crudely at the seams and passed off as a coherent, completed project.
Playing through Forever is like being hung, drawn and quartered, its many fundamental failings in a constant struggle to get your attention as the single worst thing about it.
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Should you somehow feel the need to play this game, and have never played a Duke Nukem game before, you should know something: this was originally supposed to come out in 1998. And then, maybe, somewhere around 2003. And then, maybe, somewhere around 2008. While some could argue that lends it a certain rustic charm, what it actually means is that youâre playing a game out of time. Out of step with advancements in both its chosen genre and gaming and a whole.
Many things you take for granted in games today simply arenât present in Duke Nukem Forever. Like enemy AI. Or convincing environments that look like actual places. Youâll also be constantly reminded of its age by the crude character models you encounter at dangerously intimate distances, boring multiplayer modes and the poor pathfinding you encounter when scripted events required to progress arenât very well scripted.
Games of course donât need all of those things. Thereâs an argument that theyâre surplus to requirements here, that Duke Nukem Forever is not trying to be Modern Warfare, or Halo, or BioShock. âItâs a throwback!â, that argument will type angrily on an internet forum. âItâs a reminder of when games used to be just about the fun, about shooting shit!â.
Whatâs saddest about the game, then, is that it fails even as such a nostalgia project. While much of Forever is full of parts youâll be able to identify as dating back to 2004, or even 1998, there are just as many where you can see where a designer has played a competing product over the past ten years and crudely bolted anotherâs mechanic onto his own game in places and ways it was never meant to be bolted.
Duke Nukem Foreverâs singleplayer campaign is an old game. Its multiplayer modes are no different. With a handful of basic game types like capture the flag and king of the hill offering absolutely nothing new other than the chance to slap a woman around for a bit, it makes you wonder why the developers bothered with them at all when the singleplayer side of things still needed so much work.
One example is a series of puzzles you must complete towards the end of the game, rearranging steam valves to clear a path through a level. At one point, Duke grumbles âman, I hate valve puzzlesâ. Itâs supposed to be a joke, and yet comes off as anything but. People love Valve puzzles in games like Half-Life 2 and Portal because theyâre intelligent and well-integrated within a level. Foreverâs puzzles are bland and interrupt what little momentum the game is capable of mustering with its broken pacing.
Worse still is the influence of Halo. Old-school shooters, and this is definitely trying to be one of those with its basic AI and lack of cover mechanics, always had two great things going for them: speed and a ridiculous arsenal of weapons. Youâd be carrying 6-8 guns around with you at any one time, and when the need arose, youâd switch between them, all the while spinning madly around a level.
Forever eschews this in favour of a plodding pace and two guns. You can only carry two at any one time, just like Halo, so you have to pick and choose which youâll take and which youâll leave. Like the Valve puzzles, though, this is implemented terribly. In Halo, weapons are left according to need and whatâs coming next. In Forever, they are not.
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Should you somehow feel the need to play this and have played a Duke Nukem game before, know this: Forever does not star the Duke you know, nor does it play like the Duke Nukem 3D you once loved.
Somewhere, sometime, between 1997 and 2009, Duke Nukem went from being a walking manâs man parody of action movie stars to a monotone sex predator who makes decade-old pop culture observations (and WMD jokes) as though they were still, by virtue of the gameâs development time, somehow relevant or witty. His gameplay has fared little better. Duke Nukem 3D, this titleâs predecessor, was a fast, well-designed shooter, its eccentricities and environmental interaction obscuring the fact most people at the time enjoyed it for being a great shooter
Yet environmental sideshows, like being able to throw a turd and put a rat in the microwave, are thrust centre stage here, along with a greater emphasis on smut that existed only on the fringes of Duke 3D. Duke Nukem Forever revels in these misplaced priorities, confusing what made DN3D memorable with what made it enjoyable. And as a game, this suffers as a result.
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By the time development on this game originally shut down in 2009, it was claimed at the time that Duke Nukem Forever had been almost completed, with only the loosest of ends needing to be tied up before it could be called a finished game. That call was very optimistic. While some individual levels segue neatly enough into another, the entire product feels horribly disjointed, as though â and this is likely the case â the game was nowhere actually being finished, polished or honed in any way, and what was playable in 2010 was simply strung together in the hopes the gameâs name and fanbase would sell a few million copies before anyone noticed. Or cared.
Across the gameâs three main locations (Las Vegas, the highway and Hoover Dam), you encounter vehicle sections, puzzles, combat arenas, boss fights and even tedious fetch quests (in a strip club, no less) in what feels like completely random order, no consideration given for how each ties into the other in terms of pacing or how everything ties together into a coherent whole.
The fact the game was a complete mess by the time Gearbox got its hands on it may be a reason for this, but it is not an excuse. Duke Nukem Forever canât even give players the dignity of a decent ending, a tedious boss fight being followed by a closing sequence so short and pointless itâs the equivalent of somebody pissing on the grave of the 7-9 hours you sacrificed to complete the singleplayer campaign.
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Thereâs a point, around two-thirds of the way into the game, flying over a freeway in a transport, manning a heavy weapon while enemies deploy below, when you feel instantly at home. Similar sequences in Halo and Call of Duty have taught you that these are a way to let off steam, a chance to kill a ton of enemies at a distance with a gun far more powerful than that youâre normally able to carry around.
Almost immediately, however, things here donât seem quite right. A frantic radio message lets you know that your intended landing zone is âtoo hotâ, overrun with bad guys, so youâre going to have to go around and find somewhere else. Upon flying over this original area, you seeâŠa handful of cars, and at most, three enemies on screen at once.
Itâs a contrast so stark itâs a laugh-out-loud moment, the developerâs intent so far from its delivery that you could drive Duke Nukemâs ego through the gap, in his monster truck, and it wouldnât even scrape the sides. And itâs one hell of an ego.
Once the laughs die down, though, you realise that as absurd as it seems, this is as good as Duke Nukem Forever gets. Itâs a game entirely undermined by its development time, its antiquity forcing it to repeatedly lunge from the grave at influences from more contemporary, successful games that it simply cannot hope to replicate.
It took me a while to work out how I was going to approach this game for review. Should I look at it as a time capsule, the resurrection of a kind of first-person shooter that developers just donât make anymore? No, because it forgoes that frantic action and massive arsenal for plodding puzzles and broken pacing. This would have been a poor game even if it had made a 2003 release date. Should I look at it as long-overdue fan service, giving Duke devotees something to chew on from a long-promised feast, even if it is incomplete and mostly past its use-by date? No, because this isnât the Duke Nukem we once knew and loved.
In the end, I had to take it for what it is: a video game released in 2011. And in that respect, itâs an abysmal failure, a monument to everything that the first-person shooter genre has left behind â with good reason â over the past fourteen years. Gearbox boss Randy Pitchford may have said of this game in its defence âsometimes we want greasy hamburgers instead of caviarâ, but the last time I checked, McDonalds wasnât charging $60 for a hamburger.
